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WGS Dream & Ruby V2
WGS Dream & Ruby V2
4.9 / 5.0
(10) 10 total reviews
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WGS Dream and Ruby – A Quad Cortex Preset with Authentic Amp Feel
V2 Update and Core OS 4.0!!!!
Hey everyone, quick update on the Dream and Ruby preset.
Let me be clear right up front. This is the unapologetically PNW preset. If you like subtle tones that politely sit in the mix, this is not for you. This preset is all about explosive wet effects. Reverbs and delays that do not behave. They surge, they bloom, and they react aggressively to your playing and your gain.
When you run the Dream or Ruby right on the edge of breakup, you unlock a massive amount of headroom and dynamic range. With the right boost, you can take what feels like a clean amp and absolutely blow it up. This is where these amps shine. UA nailed the front end compression in a way that feels musical and touch responsive, but still lets the amp go fully unhinged when you push it. When you slam wet reverbs and delays into them, they respond in a way I honestly have not experienced on any other amp platform.
My personal philosophy with wet effects is that they should grow with your gain. Traditionally, and even in V1 of Dream and Ruby, that meant automating effect levels so things got bigger when the gain went up. With the new V2 captures, that changes completely. The amp itself reacts to the wet effects. As you boost the amp, the reverbs and delays naturally bloom with it. No automation tricks. No workarounds. This was impossible for me to truly achieve in V1, and V2 finally makes it happen.
This preset also includes a V2 capture of the Jackson Audio Hourglass Compressor. Because of DSP limits, I could not include every V2 capture, but the Hourglass has been a standout for me. To my ears, it feels noticeably better than the stock compressors and just sits right under your playing.
I also added a few new tricks. There is a Freeze mode that replicates my Halo Core hold function, and a Whammy momentary switch because honestly, it is just awesome. The reverbs have been swapped for the new Core OS4.0 reverbs, and they are spectacular. I used Bloom constantly for swells when I ran a BigSky, and this absolutely nails that sound.
And if you are wondering, yes. This is now my number one preset. No question.
Joe
Eight Versatile Scenes
• Clean – Clear, balanced tones with warmth and headroom.
• Pushed – A touch of drive for natural breakup.
• Lead – Smooth sustain and midrange presence for melodic playing.
• Solo – Extra gain and articulation for cutting through a mix.
• Tremolo – Rhythmic movement for dynamic textures.
• Chorus – Subtle modulation to add width and depth.
• Trem Swell – Choppy and Huge for expressive swells and parts.
• Swells – Spacious, ambient tones for atmospheric moments.
Amp and Pedal Captures
This preset replaces the traditional Vox AC30 and Fender Deluxe Reverb captures with the UA Dream and Ruby, providing an even more dynamic and immersive amp-like experience. These modeling units were my personal favorites throughout 2024, and this preset is fine-tuned to bring out their best qualities.
• UA Dream 65 – Classic American clean tones with natural breakup.
• UA Ruby 63 – Iconic British chime and touch sensitivity.
• Brown Protein (Blue Side) – Smooth, transparent overdrive.
• Brown Protein (Green Side) – Thick, punchy drive with a bold character.
• JHS Kilt – A dynamic, midrange-rich drive that pairs well with both amps.
• Jackson Audio Hourglass Compressor - Perfect PNW compressor
Designed for Any Guitar
WGS Dream and Ruby is optimized for both single-coil and humbucker guitars, ensuring great tone no matter your setup. If you’re looking for a preset that captures the energy and responsiveness of real amps while maintaining the flexibility of the Quad Cortex, this is it.
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Download WGS Dream and Ruby today and bring the feel of the Dream and Ruby into your worship guitar rig. If you purchased the original version of this preset, just redownload the version shared with you on cortex cloud and save it to your QC!
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Really like the amp tones in this. Sounds kinda “strat-y.” The higher gain stage captures of the protein are a little too gain-y, for my liking. But solid patch overall that utilizes the new stuff from the 4.0 update. I think it’s important for the user to keep in mind that this is more of a hybrid preset to get the most out of it as opposed to utilizing primarily scene mode.
I love it! Just needed some tweaks to the low end of the EQ, but other than that, it’s beautiful and lush, the freeze feature hits the spot on the swells.
incredible presets
I had fearthat preset not soundingwell for me but preset is really good and i useyour preset like my main worship preset in church. And i improved preset using my Mesa Boogie Transatlantic 30 capture. Now with Mesa capture preset sounds amazing
These presets are a little “in your face”, but that’s why they stand out so well. All the effects are heavier than what you might be used to, but don’t be afraid. 🙂 Too many presets that you can buy are way too tame, and once the band starts playing your signal fades away in the mix. Not this. The tremolo settings are wonderful and if you switch over to pedal mode, the freeze is great to hold out a last note or just get a cool drone effect. This is worth every penny and if play P&W you’ll love it. Lots of character, and the way the drives push the effects is even better.
Be forewarned; the audience is gonna hear you with these presets and you’re gonna stand out more… so if you’re not super confident in you’re playing don’t get this. 😅